STAFF BIOGRAPHIES
Helen Thorington
Helen Thorington is the Co-Director of New Radio and Performing Arts, Inc. (aka Ether-Ore), the founder and producer of the national weekly radio series, New American Radio (1987-1998), the founder of Turbulence.org, and co-founder of the two internationally acclaimed blogs, Networked_Performance and Networked_Music_Review.

Thorington is also a writer, sound composer, and radio producer, whose radio documentary, dramatic work, and sound/music compositions have been aired nationally and internationally for the past thirty years. She has created compositions for film and installation that have been premiered at the Berlin Film Festival, the Whitney Biennial, and in the Whitney Museum's annual Performance series. She produced three narrative works for the web including Solitaire, which combines game and storytelling; and she played a principal artistic role in the cutting-edge performance work, Adrift, presented as a performance and installation at the New Museum in New York City, October 19-December 21, 2001.

Thorington has also composed for dance. She performed with the Bill T. Jones and Arnie Zane Dance Company at Jacob's Pillow, MA in 2002, and at The Kitchen, New York City in 2003. She has won numerous radio awards, most recently Honourable Recognition, Prix Bohemia Radio Festival, Czechoslovakia; and Winner, Aether Festival, KUNM-FM, Albuquerque, New Mexico. Thorington was an invited speaker at Upgrade! Johannesburg, University of the Witwatersrand, Johannesburg, South Africa in '06; MIT5: Creativity, Ownership and Collaboration in the Digital Age, an international conference in '07; and a keynote at Digital Arts Weesk: The Meeting Point Between Art and Technology at ETH Zurich. She was also a speaker at the Music in the Global Village Conference in Budapest in December '09.

Thorington has taught new media classes at the School of the Museum of Fine Arts (Boston) and at Emerson College (Boston). She has published numerous articles including two on networked musical performances for Contemporary Music Review (2005, 2006); and a feature article on the evolving context for sound and radio practice for the Tate Museum (London) in 2008. She is currently collaborating with visual, performance and media artist, Jacki Apple, on an experimental narrative; and composing a sound score for "i_magine", a sound-light performance by Ajaykumer to be premiere at Waterman's Arts Centre, London in June 2010. Visit her web site!
Jo-Anne Green
Co-Director of New Radio and Performing Arts, Inc. since 2002, Jo-Anne Green, was born in Johannesburg, South Africa. After graduating from the University of the Witwatersrand with a BFA Honors in Printmaking and Art History, she emigrated to the United States in 1983. While studying for her MFA at UMASS Dartmouth, she volunteered for a Fund for a Free South Africa (1985-1992) where she co-founded Cultural Resistance to educate the American public about apartheid through the art and culture of South Africa. Green was Fundraiser for Do While Studio: Art Technology (1992-96), Development Coordinator for the New England School of Art & Design (1994-95), and Visiting Faculty at the School of the Museum of Fine Arts (1994-95). She was instrumental in starting the artist-in-residence program at the University of New Mexico's High Performance Computing Center (1999) which led to the founding of the Art Technology Center (ATC, 1999); Green was Program Coordinator for both the ATC and the Arts of the Americas Institute until June 2001. Upon returning to Boston, she completed her MS in Art Administration at Lesley University.

Green founded Upgrade! Boston (2005), a monthly new media speaker series hosted by MIT-Art, Culture, Technology and one of 32 nodes currently active in Upgrade! International. She is co-creator of Networked_Performance (2004), Networked_Music_Review (2007), and Networked: a (networked_book) about (networked_art) (2009).

Green is also a curator, writer and designer. She lectures on new media art, and teaches History and Aesthetics of New Media (Emerson College) and Introduction to Digital Media (UMASS Boston). She has exhibited her paintings, one-of-a-kind artist's books, and installations in South Africa, Boston and New York. Visit her web site.
Jesse Gilbert
Jesse Gilbert is NRPA's System Administrator. He is a composer, multi-instrumentalist, computer programmer and software engineer. As a composer Gilbert has developed an extensive body of work centering around aspects of improvisation and cross-disciplinary collaboration, with a focus on networks and experimentation with new media. His work ranges widely from explorations of symbolic systems and abstract scores to large scale Internet-based works involving international ensembles to the construction of software-based algorithmic musical agents interacting on the network.

Gilbert is consistently interested in exploring means of moving beyond the concert hall, engaging listeners in immersive media environments that aim to transform audience members into active participants. He is currently exploring the uses of streaming media feedback structures. Gilbert has received commissions from the Jerome Foundation, the Markle Foundation, Creative Capital, and the National Endowment for the Arts, and has been a resident at the Banff Centre for the Arts. He has performed widely in the United States and in Europe, and runs a micro-label, Open Ear, due to release several discs in 2002. He is also a founding member of the ensemble Dark Matter.
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